Archive for sami

Beautiful Baby

Posted in Lucerne Village, Unknown with tags , , , , , , , , , , , , on December 4, 2012 by javedbabar

Sami was closing up for the day. There had been a trickle of customers coming to the 3D Unit, mainly single mums working as designers and who needed prototypes fabricated, builders and plumbers wanting small components printed, and people who wished to create unusual gifts. There weren’t that many of them though. People were still confused and a little scared of 3D printing. Every new technology takes time to catch on.

However things were shifting in the right direction. The rest of the Transfer Station was busier than ever. There was less trash and more recycling. The next step was material recovery, where the stuff people bought that they had no further use for could be transformed into something else immediately.

A small black car was speeding through the Industrial Park. He watched it take quick sharp turns as it came towards the Transfer Station. He had unbolted one gate already, and could race to pull both gates closed, but he decided to wait and see who it was.

A young woman lowered her window and said, “Hello, are you still open?”

“Well, it’s six o’ clock and I was just closing.”

“Dr Bungawalla sent me. He said I should see you.”

Sami favourite recent project had been modelling the doctor’s brain. He pulled open the gates and said, “Come on in, let’s see what we can do.”

The woman was distracted and kept looking away from Sami. She bumped her head on the door frame and almost fell out of her car. She had an awkward shape. Was she pregnant beneath her big coat? Sami dare not ask for fear of getting it wrong, which he knew was the ultimate faux pas.

She said “I’m not sure. I’m not sure if I should do this.” She looked weak, about to fall down. Sami felt he should do something.

He said “Would you like to come into the office and sit down? I’ll make you some tea.”

He checked his phone while the kettle boiled. No word from his pal, Shama, who was driving him to Strattus tonight. Cell reception at the Transfer Station was terrible.

After taking a few sips of tea, she said, “I’ve seen my baby in a scan. She’s beautiful, so beautiful, but I really want to hold her now. I want to see her in the nursery, to see if she will like what I have done for her. To see if she likes all the toys and colours.”

Sami’s previous job as Guru Baba’s assistant had brought him into contact with troubled people. This woman was really hurting about something. Sami was an expert listener, and where possible, a helper.

He said, “I am sure you have made a beautiful nursery. What colour is it?”

“It’s mainly pink and yellow. Pink because it’s such a soft colour, it reminds me of buds and petals, and yellow is like sunshine, so happy, so happy always.”

“It sounds really lovely. I’m sure your baby will adore it. When is she due to grace our world?”

The woman handed Sami her ultrasound scans, both as pictures and on disk. “Can you please make a model of her for me?”

“It would be better to wait till she is born. We can scan her then. Right now the spatial resolution and image depth of the embryo scans are…”

“She’s not an embryo! She’s a baby! Scale her up! I don’t care about spatial resolution or imaging depth. I don’t care about anything.” She began crying and said, “I do care. I do care. I do care. Please make her for me.”

Five messages came through on Sami’s cell phone. Dr Bungawalla had been trying to call him all day, to tell him about his patient whose baby had just died inside her.

Sami realized that this model was the only baby she would ever hold. He decided to work all night to deliver her baby the next morning.

Executive Functions

Posted in Lucerne Village, Unknown with tags , , , , , , , , , , , , on December 3, 2012 by javedbabar

Dr Bungawalla was waiting already when Sami opened the Transfer Station. Why was he so early? What was the hurry?

Lucerne’s veteran doctor drove to the trash area first, disposed of a few bags, on to the recycling bins, ceremonially depositing paper, card, metal, glass, and cartons in appropriate receptacles, and then came over to the new 3D Unit, called 3DU.

“Hello Sami, how are you? Good, good. I didn’t know you were running the Transfer Station.”

“Well, only for today. I am officially in charge of 3DU, but the other guy is attending a family funeral, so I am managing waste and recycling operations too. It’s mostly automated, pretty straightforward. Anyway, Doctor, what can I do for you?”

Dr Bungawalla shifted and smiled. This motion had put his patients at ease for forty years. He had discovered that moving his head from side to side whilst holding a fixed grin amused infant patients, and then he tried it with adult patients. Now it provided a gentle reassurance to all.

“I wanted to develop a project with AMP Co., something of great personal interest. Alfred said The Authority has declared his lab a National Strategic Asset, and nationalized his business. He told me to come here instead; he said you would help me.”

Sami had visited the Doctor’s office a couple of times this year but never got past the fearsome receptionist, who had given him practical advice and sent him home. It was great to finally meet Dr Bungawalla. What a sweet man. Why are the nicest people always surrounded by the fiercest? Maybe they require protection.

“What’s the project, Doctor?”

“Well, I have some brain scans from the MRI machine. They are all on this data stick. Can you please model them for me?”

“Sure, I’ll put them through the CAD systems and send them on to the 3D printer. Please tell me the key aspects, facets and dynamics involved, so I can highlight them in the system parameters.”

Dr Bungawalla handed over the stick. The file stated Confidential: file not to be removed from lab.

Dr Bungawalla looked embarrassed. “I am the confidante in question. You are allowed to proceed.” He pulled out a pen. “I will write some key concepts down for you.”

He wrote:

Lateralisation (left and right brain dominant functions)

Protection (thick skull bones, cerebrospinal fluid, blood-brain barrier)

4 lobes (frontal, parietal, temporal, occipital)

Functional divisions – cytoarchitecture – topography – cognition – weight – language – pathology – metabolism

Executive functions (self control – planning – reasoning – abstract thought)

Functional vs. anatomical definition

Encephalization Quotient

Neural tissue (closed head injuries, poisoning, infection, psychiatric conditions, degenerative disorders)

48 hours later, Dr Bungawalla picked up his brain model. Sami had added special circuitry as requested, powered by lithium cells. Flickering lights within the transparent model made it seem like a lamp.

Alone at night, Dr Bungawalla watched it crackle with activity as his own brain and body declined. His life had changed since he had self-diagnosed Parkinson’s and Alzheimer’s Diseases. Every spark of life was now more precious.

He watched his thoughts.

Village Facility

Posted in Classic Sci-Fi, Conceptual Art, Lucerne Village with tags , , , , , , , , , , , on December 2, 2012 by javedbabar

Sami was locked out of AMP Co. Maybe the lock was stuck, so he tried his key again, turning it both clockwise and counter-clockwise, but without success. He rang the bell twice and banged on the door. He opened the mailbox in case there was a new key in there, but there wasn’t. He called Alfred’s phone but didn’t get through, then walked around the back but that door also was closed.

“Thanks for all your help,” Alfred had said to him last week. “Next week, we’ll be ready to open the store. Advanced 3D printing will at last be available to everyone!”

Maybe Alfred had been so busy chasing technical progress that he had forgotten to pay his mortgage and business rates. Had the bank instructed repo men to remove his equipment and lock up the place?

Sami heard a sliding sound somewhere above him. It was Alfred at a second floor window of the old general store that was now his 3D fabrication lab.

Sami called up, “Hey Alfred! Let me in.”

“I’m sorry Sami, I can’t let you in. You won’t believe what’s happened. The Authority has declared my lab a National Strategic Asset; it’s been nationalized and is now closed to the public.”

“You’re kidding me!”

Alfred opened the window further and leaned out a little. “I am sorry, I’m not. I am now a government employee and must obey their protocols. I can’t let you in.”

Sami was a peaceful guy, but right now he wanted to climb and haul Alfred out, maybe throw him out. “But what about our work together? We’ve spent weeks preparing for the launch.”

“It was really good of you to help me, Sami, but I’m afraid there’s nothing I can do. The Authority heard about my technology.” Sami knew it had better capabilities than fused filament or deposition, laser sintering, powder bed, lamination, sterolithography, digital light processing, or anything else currently available.

Alfred continued, “They declared it a National Strategic Asset, and banned me from revealing it to the general public. That’s it.”

Sami wasn’t Alfred’s business partner; he wasn’t even an employee. He was simply a keen amateur helping out, who had become very involved in the testing phase of Alfred’s printer. Together they had produced another printer, a worm, a baby girl (now adopted by Alfred’s family), a 4D crab, holy objects and programmable matter. They were fully ready to open the facility, and now this!

“There is some good news though,” said Alfred, waving his arms in the window like a broken little windmill. “The Authority does want a public interface for the technology, to introduce it gradually. They want to extend their 3 R’s philosophy, following the Proximity Principle to reduce the waste stream, and achieve responsible self-sufficiency at a sub-regional level…”

Too much jargon already, thought Sami. You can tell he’s become a bureaucrat.

Alfred continued, “…by producing, transforming, consuming and recycling on site indefinitely. They asked me to run a facility at the Transfer Station but I am too busy, so I suggested you could do it instead.”

Just then a text came through on Sami’s phone. It was from The Authority. It said that he was starting work at the Transfer Station’s new 3D Unit next week.

“What about my job as Guru Baba’s assistant?”

“My friend, it looks like you have been repurposed.”

Ticket Lottery

Posted in Conceptual Art, Lucerne Village, Mystical Experience with tags , , , , , , , , , , , on November 10, 2012 by javedbabar

Two hundred tickets were available for the global launch of the film HUMANITY, and there had been a huge buzz when they were allocated online. The event was being held in the village of Lucerne, where the director had received his inspiration for the film, rather than in London, Mumbai or New York. His strange choice of location made the tickets doubly desirable, and the international jet set had clamoured for them.

Something didn’t feel right though. Sami, the local project manager, asked a member of the production crew, “Why are all those people queuing?”

“They’re the walk-ins, hoping to pick up tickets at the door.”

Sami was surprised. “But I thought all tickets had been allocated already. Where have the extras come from?”

The crew member said, “Between you are me, they are waiting for nothing. There aren’t any extra tickets.”

“Well, why don’t we tell them? They shouldn’t waste their time.”

“Look, the director said that all tickets should be allocated anonymously. There should be payment by donation, with people giving what they could afford or wanted to. But the producer rigged the allocation process. He priced up one hundred and fifty tickets for VIPs, sold twenty-five to restaurants serving special menus tonight, and fixed the lottery for the remaining twenty-five tickets. They’re all gone.”

Sami knew there would be some VIPs – he had been told up to fifty – but this was a disgrace. There was a huge queue of hopefuls, maybe 200 people, wanting to get in.

He spotted a familiar figure near the back of the line, with long black beard, brown skin and orange robe. It was his boss, Guru Baba! But wasn’t he away on pilgrimage for a month, which was the reason Sami was able to take this freelance position. Why was he back?

Sami walked over immediately and pressed his palms together.

“Yes, yes,” said the sage, returning the greeting. “I heard about the screening. I wanted to see it too so I decided to come back.”

“What about your ascent of Mt Kalash? Did you abandon it?”

“I was never going to climb it anyway. Too cold up there. Brrrr!” His shivering agitated his robe, making him seem like a dancing hairy fruit. “Now when will you let us in?”

“Guru Baba, why didn’t you get a VIP ticket? You only had to ask.” He was one of the world’s leading holy men, and though retired, still very well connected and popular.

“No, no. Why shouldn’t I wait like everybody else? Aren’t we all equal? This film is called HUMANITY.”

Sami didn’t know whether to tell him about the ticket situation in public; it may anger other people waiting. “Guru Baba, please come here, I need to tell you something.”

“No way! I am not losing my place in the line.”

“Guru Baba, you need to know something about the tickets…” Sami tailed off.

“Well, don’t be shy. You can tell us. We are all brothers and sisters here.”

“Okay then, there are no extra tickets. They have all been allocated to VIPs and the producer’s friends. You are waiting for nothing. You may as well go home.”

The crowd began grumbling, but Guru Baba stayed quiet. Then he said, “I have an idea.”

Sami told the VIPs, sipping champagne while awaiting the screening, that Guru Baba was offering a live audience tonight at the Transparent Temple, which they could attend in exchange for their film ticket.

Who wouldn’t want an audience with Guru Baba? Imagine the photos, blessings, mantras, and bragging rights acquired. They would witness his miraculous quality of multilocation, of being with many people at once, yet focussing on each one individually.

A handful of VIPs stood up immediately, and then the rest, not wanting to be left out of this once in a lifetime – maybe once in many lifetimes – opportunity, left their seats and walked to the Transparent Temple.

When the VIPs had gone, the 200 walk-ins walked in and enjoyed the film. Due to his quality of multilocation, Guru Baba enjoyed it too.

Bright Brown Eyes

Posted in Conceptual Art, Lucerne Village with tags , , , , , , , , , , , , on November 9, 2012 by javedbabar

There was half an hour to go till the global launch of the film HUMANITY. Its celebrated auteur had eschewed London, Mumbai and New York in favour of Lucerne, where the idea for the film had first come to him while mountain climbing.

Local project manager Sami had been asked to run through everything with the General Manager prior to doors opening. He hadn’t been able to locate him yet and the screening time was drawing near.

He asked the projectionist, “Have you seen the General Manager around?”

“Ah, The General. He was here this afternoon when I was setting up. I’m not sure where he’s gone.”

“Why do you call him The General?” asked Sami. “Is he a tough guy?”

“Actually, no. Quite the opposite, but I know he is an ex-military man. He led tough campaigns in Asia, and fought in brutal African wars. You wouldn’t think so though.”

This made Sami think of the ancient Indian king Asoka, who renounced bloodshed and became an advocate of non-violence, truth and tolerance instead. Sumerian king Gilgamesh, said to be one-third human and two-thirds divine, also mended his vicious ways. If only such leaders had been studied in 20th century Germany, Cambodia, Iraq, China, Russia and America, the world would now be a better place.

Sami located The General fifteen minutes before doors opened. He was a tall, well-built man with cropped red hair and eyes that seemed orange at first, but were in fact bright brown. Sami walked him around the site and showed him the screen, which had been stiffened to counter evening winds, projector, cabling, seating, ropes, poles and carpets. He ran through key timings and flows, and showed the required safety certificates.

The General was very friendly and calm. He made some minor comments, said, “Good job”, “Good stuff”, and “Good work”, and said he would be in his office if needed. The run through with him took under five minutes. Now that’s a guy who trusts people, thought Sami. I’ll bet his soldiers felt inspired.

There was an issue concerning wheelchair spaces. Sami had allocated five spaces, but a village official said there should be seven. It was too late to change seating layout now as doors were opening in less than ten minutes, but the village official insisted on the change.

Sami decided to get support from The General. After all, he was in charge here and had approved the plan. He buzzed his office, and the door flew open immediately.

After a dark hallway, Sami came to a steel door which slid open silently. There was The General watching a bank of screens that covered an entire wall. Facial recognition technology identified people and followed them around. Where were these cameras hidden? Sami hadn’t noticed them anywhere in The Place.

On the adjacent wall were pinned scores of faces, a few of whom he recognized. Many had a black strike slashing across their faces. The General looked at Sami and said, “Two strikes and you’re out.”

His bright brown eyes lit up, very fiery, like when he had dropped bombs on restless provinces, and spearheaded “population control” projects. He had acted as consultant to many governments, and oil and water companies, who needed certain people to disappear. The General was interested in the film tonight, HUMANITY, but more so in its rumoured sequel, INHUMANITY. He hoped it would feature some of his special projects.

Redirection

Posted in Conceptual Art, Lucerne Village with tags , , , , , , , , , , , , on November 8, 2012 by javedbabar

There was just an hour to go till the global launch of the film HUMANITY. Sami was pleased that everything was set. The screen and scaffold, projector, VIP and ordinary chairs, ropes and poles and red carpet were all in place.

There had been a light wind whispering all day. In the morning it rose from Mt Alba, the white mountain towering above the village, and then travelled along the valley to Mt Negra, the dark mountain at its far end. In the late afternoon it picked up and returned.

Sami noticed light reflecting around The Place, the communal space at the heart of the village where the screening would occur. Where was it coming from?

He looked around but nothing was moving, except, damn! The 20 x 40 ft screen was rippling, only slightly, but enough to notice.

This was a disaster! The director’s carefully composed shots would be distorted. The screening would be ruined.

The projectionist had noticed the rippling too. He called Sami over and said, “We need to do something about this. The film will look pretty bad otherwise.”

Sami asked, “Can you do something with the projector?” and then realized it was a stupid question. He could hardly project anti-ripples. They would have to adjust the scaffold and screen.

The projectionist discussed options with the crew. They decided they could improve the situation by tightening the screen. This meant men in hard hats, tied to ropes, climbing ladders, so for safety reasons they would have to block all access to The Place. Despite being local project manager, Sami was in practical terms the least useful person on site, and was asked to redirect members of the public.

He blocked the entrance with a road barrier and greeted people approaching with a smile. It was hard to get annoyed when someone had smiled at you already for no reason. This was a conflict resolution technique taught to him by Guru Baba.

A young woman approached and said, “Excuse me please, I am the owner of that sandwich shop,” – she pointed to a cute shop with red and white hanging baskets – “I need to check stock for tomorrow.”

“Can you enter from the back, Miss? I won’t be able to let you through here for half an hour.”

“The cops have closed off the back areas. I have to enter from the front.”

“I am sorry, but you will have to wait. Will you be able to do it later, or in the morning?”

“I guess I could do it in the morning. That’s a good idea. My boyfriend wakes me up anyway. He’s a health nut, and goes running at 5am. I may as well come then.”

A man in his fifties approached, sweating, and said, “I have to get to the hairdressers. It is urgent!”

“Do you have an appointment? No? Why is it urgent? It is only hair.” Sami’s hair was thinning and he didn’t care. “Hair today, gone tomorrow!”

The man thought about this for a moment and said, “You are right. Hair today, gone tomorrow.” He said it again and removed his wig, which had needed adjustment. A little more light reflected around The Place.

A man with Celtic tattoos said, “I need vitamins from the health shop.”

Sami said, “Which ones? Okay, A, C, E and K? Why don’t you eat spinach instead?”

An agitated woman ran up and said, “I need formula for my baby. She is hungry and I’ve run out.”

Sami gave her a hard hat and escorted her to the grocery store. He had learnt many lessons from Guru Baba. One of the most important was to know when to redirect people, and when to help them on their way.

Red Carpet

Posted in Conceptual Art, Lucerne Village with tags , , , , , , , , , , , , on November 7, 2012 by javedbabar

Most items were now set for the showing. The screen and scaffold, projector and speakers, VIP and ordinary chairs, and ropes and poles, were all in place. The red carpet however had not arrived.

The CORE – Customer Order Response Expedition – system was stupid, thought Sami. Sending items on individual trucks was a terrible idea, but what could he do? He wasn’t in charge of logistics. He was in charge of set up, and the global launch of the film HUMANITY was good to go, minus only one red carpet.

An hour before the show he called the delivery company again. The despatcher said he would ask the driver to call Sami right away.

The driver called him. “I delivered it an hour ago,” she said. “It’s at the mayor’s office. I was told that’s where to deliver it.”

The mayor’s office was one kilometre from The Place, the communal space at the heart of the village and location for tonight’s screening. Sami said, “Who told you that?”

“Well, I was sent round and round by detours. There were cops everywhere who wouldn’t let me stop. So I called another driver who said that was the usual place, so I dropped it off there.”

“That’s not the right place! Can you please retrieve the carpet and bring it here to The Place? I will direct you to the delivery entrance.”

“Sorry, I’m fifty kilometres away now, heading back to the city.”

Damn! thought Sami. He needed that red carpet for VIPs. He had better go and get it himself. The projectionist had set up early and was now relaxing, sipping a beer. Sami said, “Excuse me, can you please help me with something?”

He didn’t indicate a readiness to move.

“It’s important.”

The projectionist stood up and said, “Sure.”

With all the road closures and diversions, it would be quicker to walk. They reached the mayor’s office in ten minutes. The security guard said, “I was wondering why they brought that here. I thought it was for one of the mayor’s special parties.” He tapped his nose as he said this.

Sami and the projectionist threw opposite ends of the roll over their shoulders. It smelled quite clean, but there was a hint of beer – or was it champagne? – and fish – or was it oysters? They carried the rolled carpet through the village, looking like a pair of toy plumbers. Sami thought, it’s a shame it’s not a magic carpet. We could have ridden it through the valley, over forests, lakes, and rivers, across icecaps…

At The Place, Sami paced out the distance from the street to the VIP area. They rolled out the carpet, cut it at one end, and taped it in place.

Sami noticed specks on the carpet. Upon closer inspection, he saw they were a mixture of dirt, gravel, powder and leaf bits. He found a hoover and cleaned them up. The red carpet looked really good now, like a ribbon across a present. He took installation photos.

As he did that a family of five walked across the far part of the carpet, adjoining the street, before the VIP ropes and poles. Sami recognized them; he had seen them picking through dumpsters behind The Place’s restaurants. They posed and took pictures on their phones. They dreamed of being asked to grace a red carpet, but who ever welcomed trailer park folk?

The security guard was about to move them on; they were leaving dirt and crumbs; but Sami told him to wait. Right now the red carpet was acting as a band-aid, not a ribbon. Let them enjoy their moment of glamour. He could hoover the carpet again.

Efficient Delivery

Posted in Conceptual Art, Lucerne Village with tags , , , , , , , , , , , , on November 6, 2012 by javedbabar

“Where are you?” said Sami. “You were supposed to be here by five p.m.”

“I can’t find the place,” said the driver. “I’ve been going around for half an hour.” His voice faded, there was a grinding noise, and Sami heard him say, “Why not? It’s just there. Can’t you just let me through?” His voice returned. “There are cops everywhere, blocking all the exits. What’s going on here today?”

“It’s the global launch of the film HUMANITY. It’s a big event so there’s extra security, plus detours. It took me an hour to get in this afternoon, and I am running the show!”

This local project manager contract had come up suddenly. Sami’s usual job was as personal assistant to Guru Baba, a retired holy man, but he was away on pilgrimage for a month so Sami had time available.

“Look, where are you exactly? Near the community centre? The old one or the new one? Okay, just keep going straight for a hundred metres, turn left, left again, and there is a delivery entrance on the left. I will wait for you there.”

Sami called him ten minutes later. “Where are you?”

“Sorry I missed the exit and have to go around again.”

Sami called him after another ten minutes.

“I couldn’t get back on the road near the community centre. Listen, I’ll figure it out. I’ll call you when I get there.”

Half an hour later, Sami saw the truck approaching the delivery entrance. He pushed a button to open the swing doors, and the truck pulled in.

The driver was sweating. He said, “I’m sorry about that. I thought it would be a regular delivery. I’ve been to this village before, I remember the white mountain towering above it, and the black one at the far end of the valley. It was so annoying going round and around, like an ant lost in the jungle. Anyway, enough of that, where do you want the chairs?”

Sami indicated a corner. “There should be two kinds, ordinary chairs and VIP chairs, a hundred of each.”

The driver raised his eyebrows and nodded. He rolled stacks of chairs out using a dolly. The VIP chairs were in pristine condition, their golden frames covered in red velvet. The ordinary chairs were of battered grey metal.

Sami checked them over and said, “This one looks busted. Okay not busted, but in poor condition. Can you change it please? This one too.”

The driver swapped them for better ones.

“Where are the VIP ropes and poles, and the red carpet?”

“They are on the other trucks.”

“Other trucks?”

“Yes, the ropes are on one truck, the poles on another, and the carpet on a third. We use the CORE delivery system – Customer Order Response Expedition. Every order is managed individually.”

Sami was astounded. “What does that achieve?”

“Efficient delivery.”

Is he kidding? thought Sami. That is the most inefficient delivery system I have ever heard of. Putting things together is efficient, not pulling them apart.

“When are the other trucks coming?”

“They are on their way.”

Sami asked the crew to carry stacks of chairs to the seating areas, set them up, and test them individually. He didn’t want crashes during the film. Curiously, the VIP chairs were more cushioned but less comfortable. Maybe they would suit the people who sat on them, who were often the least comfortable with themselves. Comfort was not related to wealth, it was related to life experience.

Sami picked out a grey metal chair for himself.

Tombstoning

Posted in Conceptual Art, Lucerne Village with tags , , , , , , , , , , , , on November 5, 2012 by javedbabar

The projectionist had carefully aligned the projection tent and screen scaffold positions as soon as he had arrived. The axis between them was the key to perfect screening. The crew had followed his precise instructions, he had fine-tuned the image, and everything was set to go by 4 p.m. The global launch of the film HUMANITY was at 8 p.m. so he went off to get some early dinner.

When he returned, he sensed something was wrong. What had happened?

Someone had moved the damn screen!

The crew were smoking near the bins. He felt like cursing them aloud from where he was but instead decided to walk over, by which time he had calmed down.

“Excuse me. Were any of you involved in moving the screen?”

The crew looked at each other nervously, and one of them said, “Yes, that guy there,” – he pointed at Sami – “asked us to angle it towards the trees.”

“That guy!” He exploded. “Who the hell is he?”

The crew member replied, “I think he is the local…”

Before he had finished, the projectionist ran towards Sami. While still ten metres away, he shouted, “I am the projectionist. I laid out the location this morning. Did you tell the crew to shift the screen?”

Sami was surprised by his aggressive manner, but responded coolly. “Sorry, did I need to ask you first? I didn’t realize. We need to give the VIPs a good view. Some of them have paid a thousand dollars for a ticket. The screen position needed adjustment.”

Sami backed away to ease tension, but the projectionist stepped forward. “Do you know what will happen now? The projector and screen are misaligned. There will be a tombstone effect. I am not sure if I can correct it. How will your VIPs like that?”

“I’m sorry, I don’t know what you mean by that.”

“Tombstoning – keystoning – haven’t you heard of that? There’s image distortion…”

“Look, if it’s a technical issue, there’s no point in explaining it to me. There’s nothing I can do about it. You’re the expert here. Can you please fix it?”

The projectionist grumbled and went off to make the necessary adjustments. Sami didn’t like bossing people about; he preferred to work in a harmonious team, but sometimes you had to push a little. Hadn’t the projectionist already returned to his tent and started working on a fix?

Five minutes later, the projector came to life. A huge orange OM symbol filled the screen. It was the first frame of the film, instantly recognizable from the global marketing campaign.

Sami knew that OM was a symbol of infinity and could be expressed in myriad forms, but he had to admit that something was wrong with it. There were hazy areas and its dimensions were distorted.

The projectionist called to him, “See what I mean now?”

“Yes I do. Can we move the projector?”

“No pal, we can’t. All the kit here is set up now. Can we move the screen, or the VIPs?”

“I’m afraid we can’t. The VIPs…”

The projectionist had worked on hundreds of jobs. He was a professional. He said, “Okay, I’ll do my best.”

He reviewed relationships, reprogrammed forms and adjusted parameters using his projection software. The image flashed, shook, stretched and settled. Within half an hour, it was much improved, though still a bit hazy and distorted.

Sami realized that he preferred it like this. If the objective of filmmaking was to bring things to life, was it not more realistic for a cosmic symbol to be at least partly unfathomable?

Screen Angle

Posted in Conceptual Art, Lucerne Village with tags , , , , , , , , , , , on November 4, 2012 by javedbabar

“Keep moving please!” said the traffic cop. “No stopping here. There’s no entry.”

Sami was annoyed. He thought that by coming on a bicycle he would get a break, but the cops were treating car drivers, motorbikers, cyclists, skateboarders and pedestrians the same. He wondered how wheelchair users would fare.

“But I am part of the production crew. I am the local project manager for the screening.”

This had no effect. The cop waved him on and said, “Well you should know better then. Nobody is allowed through this way except VIPs. Do you have VIP credentials?”

“No, I don’t.”

“Well, go around the back like everybody else. Once you pass through security, you’re in.”

It was strange to see the heart of Lucerne cordoned off. It was an important event, he knew, and they had to take precautions, but it didn’t seem right somehow.

The global launch of the film HUMANITY could have taken place in London, Tokyo, Mumbai, Paris or New York, but the director had had his vision for the film while climbing mountains here. The white bulk of Mt Alba at one end of the valley, and dark bulk of Mt Negra at the other, had caused him to “transcend the monochromicity of the world, while retaining its bipolar archetypes.”

What this meant, nobody really knew, but he was a world famous auteur at the peak of his creative powers, so it didn’t matter. He declared this film the “cumulative cultural container” of his lifetime’s work, and said that it must be revealed to the world in the place where the world had revealed it to him.

The producer had wanted to show the film on the railway tracks to signify “humanity at the crossroads,” and his people had conducted negotiations with the provincial government, village council, railways department, health and safety boards, and emergency services, but had been unable to convince them to allow this. So instead they had settled for The Place, the communal square in the centre of the village.

It took an hour to get through security. By the time Sami was on location, the scaffold and screen were set up. He knew that the screen was twenty by forty feet, but in situ it looked much bigger. The film would look awesome on that.

He scoped the area, paced it out, and ran through things in his head. VIPs were here near the trees, premium diners there near the fountain, ordinary ticket holders on the terrace, and press near the bar.

Hang on! The VIPs would get the same view as everybody else. That wasn’t right. He had been told that VIPs must get the best view. He would have to move the screen, maybe angle it a little towards them. He called over a technician.

The technician said, “Look pal, it’s all set up. It will be tricky to move it. Why don’t we just leave it there?”

Sami felt he had no option. “I’m afraid we have to move it.”

“But isn’t this film called HUMANITY? Why don’t we give everyone an equal view?”

Cinema is a cultural artefact. By exploiting the universal power of visual communication, it is used for entertainment, education and indoctrination. Individual images are shown rapidly, creating the illusion of motion. One cannot see their flickering due to an effect called persistence of vision, wherein the eye retains a visual image for a fraction of a second after its source has been removed. Thus, things persist, whether we like it or not. One such thing is social privilege.

Sami said, “We need to move the screen for the VIPs. Can you please call the rest of the crew.”